Warschau
6 May 2016
PROGRAMME
Tyszkiewicz-Potocki Palace, University of Warsaw
(Krakowskie PrzedmieÊcie 32), The Ball Hall
9.30–10.00
OPENING ADDRESSES
Kazimierz Lewartowski , S∏awomira ̊eraƒska-Kominek, Vjera Kataliniç
10.00– 10.45
KEYNOTE LECTURE
Reinhard Strohm (Oxford):
Migration, Reception or Tradition? The Wanderings of Music through Space and Time
10.45 REFRESHMENT
11.00–12.30 SESSION I, Chair: S∏awomira ̊eraƒska-Kominek (Warsaw)
11.00–11.30
Barbara Przybyszewska-Jarmiƒska (Warsaw):
Music Repertory in the 17th Century Commonwealth of Poland and Lithuania.
Import, Production, Export
11.30–12.00
Tomasz Je ̋ (Warsaw):
The Music Library as a Pre(-)text for Repertoire Transmission.
The Italian Music Collection of Daniel Sartorius from Breslau
12.00–12.30
Klemen Grabnar (Ljubljana):
The ‘Litaniarum liber’ (SI-Lnr, Ms 344): Transmission of Musical Litanies from Graz to the Duchy of Carniola
12.30REFRESHMENT
12.45–14.45 SESSION II, Chair: Gesa zur Nieden (Mainz)
12.45–13.15
Katarina Trcek (Ljubljana): Migration Flows in 17th and 18th Century on the Territory of Today’s Slovenia
13.15–13.45
Berthold Over (Mainz): Düsseldorf – Zweibrücken – Munich. Musicians’ Migrations in the Wittelsbach Dynasty
13.45–14.15
Szymon Paczkowski (Warsaw): The Musical Interests and Patronage of Christoph von Wackerbarth (1662–1734)
16.00–17.30 SESSION III, Chair: Szymon Paczkowski (Warsaw)
16.00–16.30
Anna Ryszka-Komarnicka (Warsaw): Operas, Dialogues and Oratorios Based on the Book of Judith in 17th and 18th Century Europe. Migrations of Subject, Libretti and Musicians
16.30–17.00
Aneta Markuszewska (Warsaw): ‘Eumene’ – a Migratory Opera Hero of Early Modern Period
17.00–17.30
Metoda Kokole (Ljubljana):
Did Andrea Bernasconi Composed ‘Adriano in Siria’ Twice?
17.30 REFRESHMENT
17.45–18.45 SESSION IV, Chair: Stanislav Tuksar (Zagreb)
17.45–18.15
Lucija Konfic (Zagreb): Stratico and Tartini – Student and Master. G.M. Stratico’s Music System Comparison with Tartini’s Music Theory
18.15–18.45
Natasa Cigoj Krstuloviç (Ljubljana): Schikaneder in Ljubljana. Repertoire Transmission Routes
20.15 Concert
Music at the Polish Royal Courts in the 17th Century.
Il Tempo Baroque Ensemble and soloists,
dir. Agata Sapiecha (programme:
G.F. Anerio, K. Förster jr, M. Mielczewski,
B. P ́kiel, M. Scacchi, A. Subissati).
The Carmelite Church,
Krakowskie PrzedmieÊcie 52/54
7 May 2016
Polish Academy of Sciences, Institute of Art
(D∏uga 26), The Sobieskis Hall
9.30–9:40 WELCOME WORDS El ̋bieta Witkowska-Zaremba
9.40– 11.10 SESSION V, Chair: El ̋bieta Witkowska-Zaremba (Warsaw)
9.40–10.10
Harry White (Dublin): ‘Attending His Majesty’s State in Ireland’: German and Italian Musicians in Dublin, 1700–1762
10.10–10.40
Olga Dadiomova (Minsk): Musicians in the 17th Century Grand Duchy of Lithuania and their Contribution to the Russian Musical Culture
10.40–11.10
Stanislav Tuksar (Zagreb): "Quid agat musica in tarantis & in aliis morbis" – Ideas on Music Therapy in 'Dissertatio VI' (1695) by Giorgio Baglivi
11.10 REFRESHMENT
11.25–12.40 SESSION VI, Chair: Metoda Kokole (Ljubljana)
11.25–11.55
Gesa zur Nieden (Mainz): Music and the Establishment of French Huguenots in Northern Germany during the 18th Century
11.55–12.25
Maja Miloseviç (Zagreb): From the Periphery to the Centre and Back: the Case of Giuseppe Raffaelli (1767–1843) from Hvar
12.25–12.40
Janusz Hofmann – Maik Köster (Mainz): Representing Networks Centre and Back: the Case of Giorgio Bagliavi (Dubrovnik, 1668 – Rome, 1707)and his Preoccu-pations with Music Therapy Challenges and Perspectives (poster)
12.40 REFRESHMENT
13.00–14.00
SESSION VII, Chair: Berthold Over (Mainz)
13.00–13.30
Vjera Kataliniç (Zagreb): Jarnovic/Giornovicchi in Stockholm: A Centre or a Periphery?
13.30–14.00
Alina ̊órawska-Witkowska (Warsaw): Varsavia nel Settecento: periferia, cardine, centro della cultura musicale europea
15.00–16.30, Chair: Vjera Kataliniç (Zagreb)
15.00–15.45 CLOSING LECTURE:
THE WAY FORWARD
Ivano Cavallini (Palermo):
Music Migrations from Bohemian Lands to Trieste and the National Awakening of Southern Slavs
15.45–16.30 FINAL DISCUSSION
18.00
Concert
Music of the 18th Century – «all’italiana» and «alla polaccca».
Royal Baroque Ensembleand soloists,
dir. Marek Toporowski
(programme: J.A. Hasse, F. Janiewicz, N. Porpora,
G.A. Ristori, D. Scarlatti, J. Woelffl)
Royal Castle (Plac Zamkowy 4), The Great Assembly Hall