Warschau

6 May 2016

 

PROGRAMME

Tyszkiewicz-Potocki Palace, University of Warsaw

(Krakowskie PrzedmieÊcie 32), The Ball Hall

9.30–10.00

OPENING ADDRESSES

Kazimierz Lewartowski , S∏awomira ̊eraƒska-Kominek, Vjera Kataliniç

10.00– 10.45

KEYNOTE LECTURE

Reinhard Strohm (Oxford):

Migration, Reception or Tradition? The Wanderings of Music through Space and Time

 

10.45 REFRESHMENT

 

11.00–12.30 SESSION I, Chair: S∏awomira ̊eraƒska-Kominek (Warsaw)

11.00–11.30

Barbara Przybyszewska-Jarmiƒska (Warsaw):

Music Repertory in the 17th Century Commonwealth of Poland and Lithuania.

Import, Production, Export

11.30–12.00

Tomasz Je ̋ (Warsaw):

The Music Library as a Pre(-)text for Repertoire Transmission.

The Italian Music Collection of Daniel Sartorius from Breslau

12.00–12.30

Klemen Grabnar (Ljubljana):

The ‘Litaniarum liber’ (SI-Lnr, Ms 344): Transmission of Musical Litanies from Graz to the Duchy of Carniola

 

12.30REFRESHMENT

 

12.45–14.45 SESSION II, Chair: Gesa zur Nieden (Mainz)

12.45–13.15

Katarina Trcek (Ljubljana): Migration Flows in 17th and 18th Century on the Territory of Today’s Slovenia

13.15–13.45

Berthold Over (Mainz): Düsseldorf – Zweibrücken – Munich. Musicians’ Migrations in the Wittelsbach Dynasty

13.45–14.15

Szymon Paczkowski (Warsaw): The Musical Interests and Patronage of Christoph von Wackerbarth (1662–1734)

 

16.00–17.30 SESSION III, Chair: Szymon Paczkowski (Warsaw)

16.00–16.30

Anna Ryszka-Komarnicka (Warsaw): Operas, Dialogues and Oratorios Based on the Book of Judith in 17th and 18th Century Europe. Migrations of Subject, Libretti and Musicians

16.30–17.00

Aneta Markuszewska (Warsaw): ‘Eumene’ – a Migratory Opera Hero of Early Modern Period

17.00–17.30

Metoda Kokole (Ljubljana):

Did Andrea Bernasconi Composed ‘Adriano in Siria’ Twice?

 

17.30 REFRESHMENT

 

17.45–18.45 SESSION IV, Chair: Stanislav Tuksar (Zagreb)

17.45–18.15

Lucija Konfic (Zagreb): Stratico and Tartini – Student and Master. G.M. Stratico’s Music System Comparison with Tartini’s Music Theory

18.15–18.45

Natasa Cigoj Krstuloviç (Ljubljana): Schikaneder in Ljubljana. Repertoire Transmission Routes

 

20.15 Concert

Music at the Polish Royal Courts in the 17th Century.

Il Tempo Baroque Ensemble and soloists,

dir. Agata Sapiecha (programme:

G.F. Anerio, K. Förster jr, M. Mielczewski,

B. P ́kiel, M. Scacchi, A. Subissati).

The Carmelite Church,

Krakowskie PrzedmieÊcie 52/54

 

7 May 2016

 

Polish Academy of Sciences, Institute of Art

(D∏uga 26), The Sobieskis Hall

 

9.30–9:40 WELCOME WORDS El ̋bieta Witkowska-Zaremba

9.40– 11.10 SESSION V, Chair: El ̋bieta Witkowska-Zaremba (Warsaw)

9.40–10.10

Harry White (Dublin): ‘Attending His Majesty’s State in Ireland’: German and Italian Musicians in Dublin, 1700–1762

10.10–10.40

Olga Dadiomova (Minsk): Musicians in the 17th Century Grand Duchy of Lithuania and their Contribution to the Russian Musical Culture

10.40–11.10

Stanislav Tuksar (Zagreb): "Quid agat musica in tarantis & in aliis morbis" – Ideas on Music Therapy in 'Dissertatio VI' (1695) by Giorgio Baglivi

 

11.10 REFRESHMENT

 

11.25–12.40 SESSION VI, Chair: Metoda Kokole (Ljubljana)

11.25–11.55

Gesa zur Nieden (Mainz): Music and the Establishment of French Huguenots in Northern Germany during the 18th Century

11.55–12.25

Maja Miloseviç (Zagreb): From the Periphery to the Centre and Back: the Case of Giuseppe Raffaelli (1767–1843) from Hvar

12.25–12.40

Janusz Hofmann – Maik Köster (Mainz): Representing Networks Centre and Back: the Case of Giorgio Bagliavi (Dubrovnik, 1668 – Rome, 1707)and his Preoccu-pations with Music Therapy Challenges and Perspectives (poster)

 

12.40 REFRESHMENT

 

13.00–14.00

SESSION VII, Chair: Berthold Over (Mainz)

13.00–13.30

Vjera Kataliniç (Zagreb): Jarnovic/Giornovicchi in Stockholm: A Centre or a Periphery?

13.30–14.00

Alina ̊órawska-Witkowska (Warsaw): Varsavia nel Settecento: periferia, cardine, centro della cultura musicale europea

 

15.00–16.30, Chair: Vjera Kataliniç (Zagreb)

 

15.00–15.45 CLOSING LECTURE:

THE WAY FORWARD

Ivano Cavallini (Palermo):

Music Migrations from Bohemian Lands to Trieste and the National Awakening of Southern Slavs

15.45–16.30 FINAL DISCUSSION

 

18.00

Concert

Music of the 18th Century – «all’italiana» and «alla polaccca».

Royal Baroque Ensembleand soloists,

dir. Marek Toporowski

(programme: J.A. Hasse, F. Janiewicz, N. Porpora,

G.A. Ristori, D. Scarlatti, J. Woelffl)

Royal Castle (Plac Zamkowy 4), The Great Assembly Hall